In an undefined era and place, a cleaning woman at a museum of art aspires to do more than simply dust the paintings around her. She dreams of having the security and time to use her mind, and the liberty to be a writer.
She escapes her lot by marrying a rich man, but having gained a husband, a house, high society and a maid, she finds that her new life of privilege is no less constrained. Not only has she taken up different forms of time-consuming labour – social and erotic – but she is now, however passively, forcing other women to clean up after her. Perhaps a more drastic solution is necessary?
Reminiscent of a lost Victorian classic in miniature, Indelicacy is at once a ghost story without a ghost, a fable without a moral and an exploration of the barriers faced by women in both life and literature.
About the Author
Amina Cain is the author of two collections of short fiction, Creature and I Go to Some Hollow. Her essays and short stories have appeared in n+1, The Paris Review Daily, BOMB, Full Stop, Vice, the Believer Logger, and elsewhere. She lives in Los Angeles and is a contributing editor at BOMB.
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